The artist reassembles the most viewed clips of Charli d'Amelio to frame only her face.
The video leaves us in the close-up of this figure, belonging to a Social, which, more than any other, has succeeded in showing us how to make instincts and thoughts run wild by interrupting our boredom.
One may call Charli d'Amelio an icon as long she is identified by the viewer, revealing her dependence on the people who recognize her.
Installation at Primo Anno, directed by Diego Tonus, Bevialcqua la Masa Foundation, Venice Photo: Marco Reghelin